In the box we receive the user manual on the jelly comb w. fifteen webcams it’s made out of plastic capable of ten eighty p. at sixty frames per second has a noise degree lens.
which did it is also focused it connects through u.s.b. two point two has to walk phones and in the ring lights and it’s compatible with windows Macao as Linux and Android.
the base of three rubber pads on the bottom to prevent damage when installing and the theme rectangular piece rests against your screen and it does a really good job at holding it in place eight stays secure.
there’s a course of interest rate on the bottom which will allow you to make it to a tripod if you wish you also get the option of completely unfolded it and laying it flat the head can be moved up and down and you get roughly around, hundred, degrees, of tilt.
and it can be rotated a full three hundred and sixty degrees but expect the u.s.b. cable to start gaining tangled the more you rotate on the back of the head is the magnetic privacy copy which can be attached to the front of the lens and this is a really good job.
I would recommend seeking back onto the back of the webcam because you will lose his quite easily on the top is where you activate the ring lights and there’re three different settings that are warm.
old and dialogues the bronze of each setting can be deemed by pressing down the button on top of the webcam and if you want to broaden then let go of the button and hold it there and again to get the desired brightness.
we did in case of issues gained need to register that he was very heated mix and sometimes he would work but a lot of times it wouldn’t we try to apply the one thing .that.
this was our worst experience we didn’t do it much we began trying to use a swapping technique and that seemed to bring much better results but after a while that stopped working for us as well then we try to place an entire finger on top.
and once again that seemed to work for a while and then that’d stop working so it was a bit annoying that if we wanted to change settings moving on to the footage you can expect and we begin our tests in a completely dark room we think of being locked and .nailed.
and he doesn’t look too bad can see you in a little light Davis in the room the images failure creeps but the framework looks a little choppy which is to be expected in such low light once we begin to move around now he completely loses focus and he doesn’t pick it back.
so don’t try and dance in the dark you will definitely need a lot turning on the warm lights doesn’t do a bad job of bringing the image but when we get close to the camera you can see the light showing off our face.
that disappears the third we go away the same issue really with the not being able to focus when we’re moving around and it’s the same story with the white lights on the daylight settings.
where it does bring more light to the image but still not enough to remove the choppiness of the movement he still really believe in when moving around so that’s bringing some natural light and see what results in we .get.
opening the curtains in the room and letting the natural lives brings a massive improvement with the image quality and the framework is that we gain the sixty francs per second that were advertised it looks good when we come close to the lens.
once again as soon as we start moving around that dreamy blur happens again the frame rate still looks decent but I wouldn’t recommend moving around too much if you want to stay in focus.
switching on the ring lights is a much better experience when we have some natural light coming through the window and the glow was gone from our face which was being called by the wing loss when the room was dark.
it’s the same thought that if we get close to the camera and we don’t move around too much and it does produce a good image but when we step away and move it really struggles to keep us in focus.
when focusing on a small object it actually does a good job when bringing the lego character towards the camera and staying focused until we get amazing the close but they’d still sort itself and put it back into focus.
when we saw moving away then it does lose the focus and it has to collaborate itself which takes a second or so setting up the green screen ready to see what kind of key will get and we know he said even with that the lowest on.
a Facebook renewal states say you might need to have a messenger with the exposure settings in which of the software you decide to use for the camera to try and resolve that removing the green screen and I’ll be asked with the default settings bringing to know can results.
but the green screen hasn’t been removed completely dummy through the different loyalty settings didn’t bring enough light to improve it and have a playground with the filter’s options in l.b.s. didn’t improve things for us either we take it removing our face.
so you’re going to need more loyalty on the green screen to get better results and if you are interested in what the marketing sounds like this is the kind of audio you can expect from the jelly comb w. fifteen what .come.
comparing to the darkroom with the jelly comb heights six o six on the victor s. c. forty shows that the building being locked as a good job in getting light to the overall image.
as previously mentioned you will need additional loyalty which will help you see the framework of sixty-five per second and don’t try to perform any kind of damn smooth if you want to keep yourself involved.
To learn more, visit www.jellycomb.com
